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Mon, April 11, 2005, 3:00 am PDT

Never mind what's hanging on the walls of the Prado or Met. How about that sticker on a lamppost in Stockholm, wall mural in Cape Town, or luminescent graffiti in San Francisco? For a real dose of global artistic zeitgeist, the funky designs adorning public and private property on metropolitan streets could be as illuminating as a visit to the MOMA. At least, that's the theory behind the Galerie De Meerse's -- Hoofddorp's (Amsterdam) "Art in..." series, an annual project exploring subcultural artistic expression. From Tehran to Jerusalem, Sao Paulo to Lima, New York City to Salt Lake City, attempts to keep artistic malcontents coloring within the lines loses out to the world-as-canvas ethic. So check it out; for some, art in Paris doesn't just mean the Louvre anymore.
Mon, March 21, 2005, 2:00 am PST

Julian Beever likes to draw on sidewalks, but no one would call it graffiti. That's because he creates not only nicely rendered portraits and self-portraits, but also "anamorphic illusions," distortedly drawn to create an impression of three dimensions when seen from a particular point of view. His pavement drawings feature mostly commercial work, like ads for television election coverage in the UK and a particular brand of pastels. The illusions, which range from the whimsical to the truly disorienting, work only when seen from one specific perspective; viewed from anywhere else, they look like the work of a lunatic art-school drop-out. But if you do happen to stroll by one of Beever's drawings at just the right angle, you might find yourself asking, "Is this the real thing?"
Wed, March 09, 2005, 3:00 am PST

Once you get past the dire warning about cursing and the slightly confusing navigation (scroll down and click on the big white arrows), you'll find some spray-painted gems in this collection of city snapshots. Using tagged expanses of brick, cement, glass, metal, and plywood as subjects, the contributors to this photo "Gallery of Grime" have tracked down moments of beauty and desperation in the often hidden landscape of urban street expression. You won't see any portraits of those who left their messages -- or the "spotters" who noticed their work -- but it's just as compelling to watch the walls speak for themselves. In settings as diverse as Tel Aviv, Sydney, Reykjavik, London, and New York, the statements captured in these images range from political to literary -- but always with a powerful undercurrent of the humanity standing just outside the frame.
Sun, January 16, 2005, 3:00 am PST

In 1976, biologist Richard Dawkins coined the term "meme" to refer to a concept that propagates widely -- an intellectual virus. In 1989, RISD student Shepard Fairey made a stencil of Andre the Giant that started popping up in cities around the world. Thus, the world's first street meme was born. This clever photo gallery chronicles the phenomenon of urban stencils that seem to breed on their own. In addition to Godfather Andre, you'll find political statements, Lichtenstein-like cartoon characters, and pharmaceuticals.
Sun, December 19, 2004, 3:00 am PST

This exceedingly hip portfolio of New York street art features dozens of graffiti murals, aerosol stencils, wheat-paste posters, tile mosaics, and magic marker sketches. All of this stuff is currently on display on the streets of the Big Apple, but you're free to browse from your aeron chair by neighborhood or artist. Be sure to check out the work of our favorite artists and then discover your own. Bast delivers a cut-up, Warhol vibe, while Harlem's De La Vega offers a cheery, aphoristic mix of Haring and Basquiat. Space Invader leaves familiar-looking aliens crafted from kitchen tiles, and the Aerosol Kingz mash up the Matrix with old school subway tags. For sheer beauty and mystery, though, check out Swoon.


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