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by Molly McCall
Fri, November 16, 2007, 8:06 am PST

There are few debates in the United States as hotly torn apart as immigration across the U.S.-Mexico border. In 2005, three friends banded together to cast a fresh look at this red button topic.

This creative trio didn't want to proselytize or argue or blast off emails to voters. They wanted to capture the daily experience of the Mexican migrants attempting to enter the U.S. illegally and the American Minutemen attempting to spot and report them.

Cameras were produced. Envelopes were self-addressed and stamped. The small group set off to find border crossers and border watchers willing to photograph their experiences along the remote stretch of land that connects the U.S. to its southern neighbor. Eventually, a name was decided upon: the Border Film Project.

Three years, 73 cameras, and nearly 2,000 photos later, The Border Film Project boasts a moving collection of images from both sides of this fractious issue.

We wrote about the endeavor years ago. Recently, we emailed the project's founders, Rudy Adler, Victoria Criado, and Brett Huneycutt, to see how things are going:

Hey, guys. Your background page details how you distribute cameras to migrants and Minutemen. How did the two groups react, initially, to the idea? Tell us how you went about it.

Surprisingly, the vast majority of migrants we approached were receptive to the project. Granted, many of the 500 migrants that received cameras may have been just fishing for a free camera, but in the end, the migrants that truly believed in the project where the ones that took the best photos. Many migrants expressed a profound desire to show American citizens what they had to endure to arrive in the United States Read the full profile...

by Molly McCall
Mon, June 26, 2006, 3:00 am PDT

The border between the U.S. and Mexico is 2,000 miles long, and its significance, its protection, and its porousness have never been more hotly debated. In an attempt to see and understand the towns and people who populate this dividing line, two reporters from The Star-Telegram, photojournalist Tom Pennington and Austin bureau chief Jay Root, traveled the border's length. From Boca Chica, Texas to Tijuana, Mexico, the two men followed border agents, patrolled with a Minuteman, and sought the smuggler's perspective. They paid an emergency visit to a Mexican border dentist, toured an artists' community, dropped in on the only casino in Texas, and investigated the home of the nacho. Then they pulled it all together in an extraordinary online feature that draws on articles, photos, video, and interactive maps to convey the diversity, and dangers, of the dividing line.
Sun, November 20, 2005, 3:00 am PST

The premise is simple: Distribute disposable cameras to migrants attempting to illegally cross the U.S.–Mexican border and to U.S. civilians who spend their free time actively looking for them. Enclose a self-addressed envelope and incentive offers (gas cards, retail discount offers), and post the results. The migrant photographs are sobering: men hopping fences, riding trucks, sleeping in the desert. The images from the volunteer border watchers, or "minutemen," are equally grim; most feature middle-aged Caucasian men surrounded by lots of automotive and surveillance equipment. Created by an advertising exec, an investment banker, and a Rhodes Scholar, the project aims to put a face on the tangled politics of the border. It succeeds. If it all gets a little too heavy, you may want to check out the ostrich music video on the short films page.
Mon, May 23, 2005, 3:00 am PDT

Movement between Cuba and the U.S. has been restricted for years, yet Cubans continue trying to get out of their country. The flood of Cubans leaving the island came to a head in the raft crisis of 1994, which this University of Miami site explores through photos, videos, maps, and other documents. As tensions between Cubans and their government exploded that summer, thousands of flimsy rafts loaded with people seeking asylum were stopped by the U.S. Coast Guard. The refugees were held at Guant�namo Bay where they received a great deal of media attention. Although they were eventually allowed to enter the U.S, the suffering on the rafts and hard life in the temporary camps underlines their desperation. The images and stories on this site give a complicated and human dimension to the fragility of U.S.-Cuban relations.

Filed under: Immigration

Fri, April 08, 2005, 3:00 am PDT

If you believe in a 40-hour maximum workweek, are a woman voter, or just fondly remember your childhood playground, you owe a debt of gratitude to Jane Addams. Addams' Hull House in Chicago was the crowning achievement of the U.S. settlement house movement, a breeding ground for ideas, proposals, and policy reforms in civil rights, women's suffrage, juvenile protection, court reform, public health, and urban planning. This University of Illinois at Chicago site uses correspondence, unpublished memoirs, newspaper and magazine articles, and historic images to document the life and times of Addams and Hull House, and the history of the social settlement movement. Highlights include a historical narrative and maps of old Chicago.


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