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by Molly McCall
Wed, November 29, 2006, 3:00 am PST

New York Magazine's Look Book chronicles the stylish comings and goings of the residents of Gotham. It also proves that whether your day job involves operating phones, walking dogs, being a six-year-old, or litigating cases, you don't look have to look like it. Not in New York, anyway. Nightclub doormen sport dashing scarves; nursing students pull on the tallest, most electrifying heels; and vegan pastry chefs, well, do their thing. Of course, some bouncers and hedge-fund managers and opera lovers come dressed as one might guess, and that's pleasing, too. John Waters peeks in, sporting his "disaster at the dry cleaner" garb (impeccable). Designer Cynthia Rowley strikes a chic pose (three cheers for striped stockings!). And Miss Teen USA 2004 leaps past in rain boots (good luck with the "model-slash-actor" thing). This being New York, nobody bats an eye, and everyone keeps on looking.
by Jon Brooks
Sat, October 14, 2006, 3:00 am PDT

Who gave that giant ape permission to climb the Empire State Building? It must have been the New York City Mayor's Office of Film, Theatre, and Broadcasting, which is now celebrating its 40th anniversary with this interactive film location map. Some discoveries buried within:
  • Woody Allen has filmed outside Manhattan just once, and never above 99th street.
  • Spike Lee has shot as far uptown as 138th Street and even ventured into the wilds of Brooklyn.
  • Scorsese's more of a downtown guy.
Manhattan, of course, is the most-filmed-in borough, with 188 different locations, followed by Brooklyn, Queens, the Bronx (remember "Marty"?), and the underutilized Staten Island, a place where just two films have been set (or one if you don't include the Staten Island Ferry as part of the neighborhood). Then there are the Hoboken scenes from "On the Waterfront," included here even though that town's in New Jersey. C'mon New York! Give Jersey a break!
Sun, July 16, 2006, 3:00 am PDT

Two guys from Brooklyn do a series of photo essays about people from Brooklyn. Is that hyperfocus to the nth degree, or what? Fugheddaboudit. There's a wide spectrum of people called The Brooklynites. We're talking about the fourth-largest city in the United States over here. Photographer Seth Kushner and writer Anthony LaSala have lots to say and show about their hometown, as do the folks that reside in New York's biggest borough, both famous and non. The authors, the actors, and the athletes all prove there is no such thing as the average Brooklynite. Each is special. And their focused words and radiant images help us see that this city—a little like resident Billy T. Thomas —is "older than cold water and sweeter than salt." Way sweeter.
by Molly McCall
Thu, June 22, 2006, 3:00 am PDT

There are some things most of us will never know. Like what happens when you jokingly say "shake out your brain" in front of an autistic child. Or the way a classroom of inner-city kids will surprise you when you go a little loca en la cabeza over a missing miniature stapler. Or how things play out when a young boy officially classified as "emotionally disturbed" and a dean unofficially classified as "incompetent" converge on your math lesson at the exact moment that it's going well. But Miss Dennis knows, and she's willing to share. In the first entry of this "diary of a Bronx teacher," Miss Dennis details how "your mama's mad tedious" sprang from a word-a-day lesson. In her most recent post, she talks movingly about working with "Aspergery" children. In between, she gets exhausted and mad, but she keeps going. And we hope she always will.

Filed under: New York City, Education, Blogs

by Gordon Hurd
Mon, May 01, 2006, 3:00 am PDT

As much as award-winning photojournalist Brenda Ann Kenneally's web site is about a drug-infested Brooklyn neighborhood; as much as it shows kids with guns and broken families on drugs; and as much as it zooms in on up-and-coming rapper Big Trigg to reveal "what the streets done did to that kid"; Kenneally's site is also a moving, graphic, and audible testament to her photographic and journalistic skills. Kenneally's work does what all journalism should do: It tells real stories within a small, but dense space and tells it like it is, unapologetically, yet sympathetically. Many of us may not want to know what it's really like to live in poverty, in jail, on drugs, or without our loved ones, but with gripping sites such as Kenneally's, we can at least try to understand.


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