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This blog has a bold and simple goal: to "write about every R.E.M. song, eventually." Since its launch in March, Pop Songs 07 has gone about its task with candor and seeming ease. The brief posts take on song after song from R.E.M.'s oeuvre, frequently delving into the group's history, surfacing quotes from Michael Stipe on a particular tune's origins, or refuting popular notions of a track's great success or lack thereof. The pop maven behind the site clearly adores the band, but he (or she?) isn't afraid to venture an opinion. One post asks, "Seriously now, were they even trying with "I'll Take the Rain"?" Another comments, "It's pretty clear that an entire album of this sort of thing would've been rather ill-advised." The Web's R.E.M. community has responded. Some of the posts have garnered up to 100 comments, many of them glowing with pleasure. Michael Stipe, we're just waiting for you to weigh in.

For Jews who like to rock—or just enjoy ethnic parlor games—thank Moshiach for Jewsrock.org. The brainchild of Atlantic writer Jeffrey Goldberg, XM radio executive Allen Goldberg (unrelated, as far as they know), and Washington Post style reporter David Segal, the site is a celebration of Semitic contributions to American rock 'n' roll. But don't let the lolling tongue of Gene Simmons (aka Chaim Witz) scare you. Jewsrock.org isn't all Bar-Mitzvah Boy bluster and tales of groupie glory.

The site's comprehensive Challah Fame is an Aaronson to Zorn compendium of Jewish artists and groups, from the tenuously connected (Courtney Love?) to the wholeheartedly Hebraic (all of J. Geils Band, except J. Geils). It's great ammo for the next time your know-it-all cousin tries to tell you that half the Knack was Jewish. (Wrong! The whole band was—Sharona, too.) Or that Mama Cass choked to death on an unkosher sandwich. (Wrong! It was heart failure that killed Cass, not ham.)

With a Jewish-themed tattoo gallery, a Steely Dan d'var Torah, and close ties to an organization that helps sick children and their families, this site most definitely rocks.

In 1967, Bob Dylan made a brilliant—and now legendary—opening segment for the documentary "Don't Look Back" using the song "Subterranean Homesick Blues." Now, the site advertising his upcoming collection allows you to substitute your own text for the title cards from that film clip. Yes, it's a promotional gimmick. But the small thrill of seeing young Dylan holding up papers emblazoned with your own commentary is too delicious to pass up. All you need is a friend's email and enough text to fill 10 sheets. Dylan does the rest. Once we blasted our pals with messages, we paused to wonder how the heck Ten 4, the British design team behind the site, got the legendary, scratchy-voiced, irascible maven to agree to this. We tip our hats to their marketing prowess. And we're sending another loopy missive off, backed by the jangly rhythms of Dylan's electric tune. God knows when, but we're doin' it again.